Tour Outlander & Scotland with Me – Part 2

Welcome budding anatomists to my 2016 Scotland Outlander tour, Part 2 (here is Part 1). As before, Starz images and book quotes are sprinkled amid the travelogue. A few  spoilers from Diana’s books are included but I will alert you to major ones so you can skip if need be. Just look for this book kitteh…that’s your major spoiler cue (there are minor ones too).

kitteh spoiler 3

Let’s get right to it!

Returning to my travel saga, we visited a memorial (Photo A) in the form of a massive cairn honoring The Black Watch, a.k.a. The Highland Watch or The Watch. The monument is topped with a statue of Private Farquhar Shaw dressed in the original uniform of the Black Watch Regiment.

The Watch was originally commissioned in 1667 by King Charles II who authorized clan chiefs to raise independent companies “to be a constant guard for securing the peace in the Highlands” and to “watch upon the braes.” Members of the Watch wore dark tartans to distinguish them from the redcoats and thus became known the “Freiceadan Dubh” or “The Black Watch.”

Later, The Watch morphed into the 42nd Royal Highlander, a foot company that fought with valor in many conflicts including Culloden, Fort Ticonderoga, Napoleonic Wars, and Waterloo!

Black Watch

Photo A

You recall The Watch, right? We first met them burning a cottage and stealing goods and chickens from suspected redcoat sympathizers (Starz episode 105, Rent).

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BOOK SPOILER: This reference to The Watch does not appear in Outlander episodes. The next quote comes from Outlander book; skip if you do not want to read it:

“It’s the Watch,” he said, nodding back in the direction of the inn. “We’re safe enough, but I thought we’d as soon be a bit further away.” I had heard of the famous Black Watch, that informal police force that kept order in the Highlands, and heard also that there were other Watches, each patrolling its own area, collecting “subscriptions” from clients for the safeguarding of cattle and property.

ep 105 Black Watch

The Watch briefly re-emerges at the end of Starz, episode 112, Lallybroch, as leader Taran MacQuarrie holds a pistol to Jamie’s head. They’re baaaack!  Taran, don’t you dare shoot our beloved lad!

ep 112 Black Watch 02

You may also recall that in Starz episode 113, The Watch, Jamie joins Taran and his men on a raid. Instead, horrible Horrocks set up an ambush where Jamie and MacQuarrie are taken prisoner by the redcoats.

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BOOK SPOILER! Starz episodes 112 and 113 deviate in the depiction of The Watch as presented in the books. Skip these next sentences and two quotes if you don’t want to know the alternative reality!

In Outlander book, Jamie is betrayed by his own tenant, Ronald MacNab. The Watch takes Jamie prisoner and turns him over to the redcoats to collect the price on his head. This is how he ends up in BJR’s beastly grasp! Ian explains to Claire and Jenny:

“Jamie,” he gasped. “We met the Watch near the mill. Waiting for us. They knew we were coming.” My stomach lurched. “Is he alive?” He nodded, panting for breath. “Aye. Not wounded, either. They took him to the west, toward Killin.

Claire reflects back on that terrifying moment in this excerpt from Diana’s second book, Dragonfly in Amber:

The hair prickled on the back of my neck, despite the heat of the day. Ronald MacNab was the tenant who had betrayed Jamie to the men of the Watch a year before, the man who had died for his treachery within a day of its being found out.

ep 113 Black Watch

Near The Watch monument stands the impressive “General Wade’s Bridge” as it crosses the River Tay (Photo B). An architectural work of art, this stone bridge was built in 1733 by General Wade as part of some 40 bridges and 250 miles of new roads across the Highlands in the aftermath of the 1715 Jacobite uprising. It sports arches, parapets, and obelisks and, given the era, was very expensive to build (over £4,000). The bridges and roads were designed for military purposes to provide improved routes between Highlands and Lowlands, and ensure that government troops could move quickly to suppress any future Jacobite rebellions. Ironically, the new roads were of most use to Bonnie Prince Charlie during the 1745 Jacobite uprising – at least at first.

SORT OF SPOILER! Ever the historian, Diana mentions General Wade’s historic efforts in her fourth book, The drums of Autumn. You might skip the next quote if you haven’t read the book. No spoilers as to who are the “he” and the “she” of the quote!

He had carried her through the summer-green glens and rock-lined gorges without a slip, taking her higher and higher along the good roads made by the English general Wade fifty years before, and the bad roads beyond the General’s reach, splashing through brushy burns and climbing up to the places where the roads dwindled away to nothing more than a red deer’s track across the moor.

The incredible Wade bridge was designed by Scottish architect, William Adam, and some 300 years later, is still used by today’s traffic despite it being designed to bear lighter loads; we drove over it. The bridge was also build mostly by Scots laborers. Pretty amazing engineering feat. Way to go, lads!

Wade bridge

Photo B

Clearly not the same bridge but of similar design, Dougal’s rent party rides over a stone arched bridge near Castle Leoch (Starz episode 109, The Reckoning). Yep, Jamie feels very uneasy after giving Claire a good hiding for not staying put. He thought a sword belt would giver her a clearer understanding of the meaning of keeping hid. But, as a newly minted hubby, he had precious little experience with a wife, especially one as spirited as Claire! Ye misjudged the fallout over that one, Jamie. Only a dirk at your throat and some major TLC is gonna settle that trauma drama! Man up, lad!

ep 109 bridge

We motored the same day to beautiful Loch Rannoch, a large east-to-west oriented lake of the highlands (Photo C). Not just another pretty face, it also features in a Starz Outlander episode.

Loch Rannoch

Photo C

On the bonny banks of this Loch (Starz episode 105, Rent), Claire and Ned quote verses by the English poet, John Donne (1572-1631):

ABSENCE, hear thou my protestation

Against thy strength,

Distance, and length;

Do what thou canst for alteration:

For hearts of truest mettle

Absence doth join, and Time doth settle.

ep 105 Loch Rannoch 01

Their pastoral poetry recitation is cut short by Dougal’s men encouraging innocent Willie (we miss ye lad!) to engage in Biblical relations with his sister! What? Claire is a bit weirded out by that one but Ned explains: this is Willie’s first time on the road and he sits at the bottom of the pack!

On the bonny banks of this Loch, Claire treats a hacking Ned Gowan – she would have him smoke a pipe for a cough? Well, the pipe contains thornapple (Jimson weed), an herbal treatment for asthma. It helps. Yay, nurse Claire strikes again!

ep 105 Loch Rannoch 02

Our next stop was an 18th century thatched village at The Highland Folk Museum, a large open air preserve of ancient buildings designed to demonstrate life of an earlier Scotland. The museum sits on 80 acres of lush, green land surrounded by the Cairngorm mountains. The village itself is a cluster of various cottages and a stable – peaceful and quiet, radiating the texture of a by-gone era (Photo D).

village 12

Photo D

Based on an ancient settlement (Badenoch of Easter Riatts), the buildings were recreated as accurately as possible. Thatched roofs, structural timbers, stone foundations, and turf and stone walls gave the feeling that we, too, had travelled back through the stones (Photo E). But, the most thrilling fact about this historical settlement: Outlander used the village (2014) to film scenes for Starz episode 105, Rent.

Village 01

Photo E

Stepping into the central green, I was able to get a full view of this large cottage and the central green. Ancient wooden tools stand on display (Photo F). Love the mossy stone walls and the wooden crib in the foreground!

Village 10

Photo F

Moving closer, the cottage features a stone foundation, sod walls, and thatched roof (Photo G) typical of crofter’s or cottar’s abodes. Thatching in the Highlands did not use water reed (common in Lowlands and England) but rather employed one of the following materials:

  • Fraoch – heather
  • Luachair – soft rush
  • Muran – marram grass
  • Bun dubh raineach – black foot of bracken
  • Oat straw
  • Bealaidh – Scotch broom (Abundant in my neck of the woods!)

Thatch had to be renewed and repaired fairly often although some materials (heather) were more durable than others (Scotch broom).

Village 03

Photo G

Cottages were typically divided into thirds: one third for livestock, a middle third for living, and a final third reserved for healing, birth, and death – the so-called patch, batch and dispatch area!

The middle living space was compact, dirt-floored, and dim. Furnishings were sparse being limited to plain wooden chairs and tables. A small, peat fire burned in a central rock-lined pit. The pungent smoky air was somewhat relieved by a roof hole to admit rising peat smoke and a little light (Photo H).

SORT OF SPOILER: Skip if you must. Book readers ken that Diana writes about peat fires and cramped living quarters. This quote from Dragonfly in Amber explains living conditions from Claire’s point of view but doesn’t give away plot details:

…While I had been raised under conditions that would strike most people of my time as primitive—often living in tents and mud houses on Uncle Lamb’s field expeditions—still, I wasn’t used to living crowded cheek by jowl with numbers of other people, as was customary here. People ate, slept, and frequently copulated, crammed into tiny, stifling cottages, lit and warmed by smoky peat fires. The only thing they didn’t do together was bathe—largely because they didn’t bathe.

village 14

Photo H (Photo by Jonathan Giacalone – John and his wife, Maria, were tour members)

The living area also included a small wooden box bed in which families slept seated upright (Photo I).  Yes, you read it correctly! Three to four people shared these cramped frames, a far cry from our king-sized, every-kind-of-imaginable-mattress beds! Why in the world did they sleep this way? Well, for two reasons: they slept upright to ease breathing because the constant peat smoke caused lung disease. They slept in multiples to keep warm which also explains the presence of livestock inside human dwellings; the animals produced a good deal of body heat. Talk about reuse, recycle, and repurpose!

Village 06

Photo I

Difficult to see inside the dim “patch, batch, and dispatch” area, but the only furnishing was a primitive birthing chair (Photo J – red arrow). Women sat up-right on this stool to deliver a child, historically a preferable position because gravity assists delivery.

Village 05

Photo J

Outside the cottage stood this knowledgeable interpreter and expert weaver. She kindly and patiently answered questions and responded to comments with droll humor (Photo K). Also, this shot provides a nice close-up view of those early tools leaning against the cottage thatch.

Village 13

Photo K

I was completely charmed by a pair of gorgeous Scots dumpies (Photo L) who responded to the weaver’s call for corn. An ancient breed some 700 years old, Diana includes them in the storyline of her eighth book, Written in My Own Heart’s Blood.

Dumpies carry a recessive gene that results in some offspring with very short legs and hence the name, dumpy. The regal cock was called Eric – the hen went by a somewhat less elegant name, something ignoble, like gimpy. Puir gal. I am happy to say she got her fair share of the ground corn!

village 11

Photo L

Corn? Someone say corn? Corn reminds me of the delightful and bawdy ditty Jamie and the men chanted while traveling the rent-road (Starz episode 105, Rent)! The so-called Miller’s Song, these are the first two stanzas and, yes, it is indeed from the 18th century. The words remind me of Chaucer:

The maid gaed tae the mill by nicht,
Hech hey sae wanton
The maid gaed tae the mill by nicht,
Hech hey sae wanton she,
She swore by moon and stars sae bricht that she would get her corn grund
She would get her corn grund, meal and multure free

Oot then cam the miller’s man,
Hech hey sae wanton
Oot then cam the miller’s man,
Hech hey sae wanton he
He swore he’d do the best he can for tae get her corn grund,
For tae get her corn grund, meal and multure free

Word Translations:

gaed: go

nicht: night

hech: expression of disgust (Jamie and the Rent lads don’t seem all that disgusted)

bricht: bright

oot: out

grund: ground

multure: measure of meal paid to the miller as part of his fee

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Although the angle is shifted to the right and the view more expansive, the Rent scene below was shot in the same area as Photo F. Here, Ned Gowan crossly receives two fat pigs and one fine goat as tribute to the Laird (Starz episode 105, Rent). A bored Claire gloomily sits on bags of grain as Jamie helps load goods into the wagon. The stone walls stand at middle left but I don’t spy Eric!

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Bored Claire takes a walk and I did too! Moving a little uphill, I am standing almost exactly where Amanda Gillquist takes Claire to meet the women waulking (working) wool (Photo M). The grassy mound at mid-right appears directly behind the women in the rent image below.

SORT OF SPOILER! Again, if you don’t want to read anything from later books, please skip this next quote which explains waulking wool – from Diana’s 7th book, An Echo in the Bone. Mum about who is the “he” of the quote.

So he explained what waulking was: “The women all working together, pushing and pulling and kneading the wet wool cloth to make it tight and waterproof…”

Village 08

Photo M

Like Dougal’s men, the womenfolk don’t trust Claire. But, add some hot piss mixed with a wee bit of folk song and they are BFF. OK, a potent cup of “our little secret so don’t-tell-the-menfolk” ale also waulks wonders! Hee, hee.

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One very elegant cottage housed a loom and large gathering area. Beautifully maintained, the thatched roof is neatly trimmed and the interior sports massive wooden beams (Photo N). I was taken with the neat and tidy sod walls.

Village 02

Photo N

The interior of this cottage was purportedly used for the infamous “Dougal-strips-Jamie” scene of Starz, episode 105, Rent. Mayhap this is the moment when Murtagh decides that Dougal needs killin’ sooner rather than later! Dougal was one proper dobber in this scene. Actually, this just gives us another chance to oogle Jamie’s manly chest (Anatomy Lesson #4, “Jamie’s Chest” or “The 8th wonder of the world!”). Whew, that anatomy lesson was written looong ago!

ep 105 rent 11

The village also includes a stable, the site where Lieutenant Jeremy Foster, in disguise, offers Claire his gentlemanly aid. May I assist you, madam? Feisty Angus snarls for Jeremy to butt out and head home to his mam’s paps. No one delivers insults better than Angus (Anatomy Lesson #41, The Sad Demise of Angus Mhor). We miss ye, too, lad!

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Much later, we reunite with a wounded Lieutenant Foster on the Prestonpan battlefield. Dougal praises Jeremy as the only honorable redcoat of Lord Thomas’s staff. Unwisely, the Lieutenant utters a couple of put-Dougal-down comments about the awesomeness of the British army coupled with a war chief should know that and, bingo: Dougal skewers Jeremy with his dirk (Starz episode 210, Prestonpans)! Dougal has a major problem with impulse control. Needs some anger management classes, ASAP!

ep 210 Prestonpans

Leaving the thatched village with renewed memories of past Outlander episodes, we headed for Culloden Moor. Along the way, Highland hills were dotted with numerous small white flowers on thin stalks. Our tour guide, Hugh, explained: the flowers are actually seed heads of bog cotton. Close up, the head is a tuft of fluff that is wonderfully soft and silky (Photo O). In earlier times the silk was used to stuff pillows; 18th century mams sent restless children outdoors to keep them occupied by picking a sackful. The tufts were also used as candlewicks, for paper making, and for wound dressing during World War I.

Bog cotton

Photo O

Moving along a small highway, the Highlands displayed marvelous and varied shades of green. We passed numerous stands of mixed forest, supporting both native and foreign species. There are planted stands of Douglas-fir trees (not really firs), native to my area of the globe. Interestingly, both the common and scientific names for Douglas firs were bestowed in honor of a pair of rival Scottish botanists (David Douglas and Archibald Menzies). Aye, it is true!

I was especially taken with the Scots pine, a native conifer of Caledonia forests. This tree has a flat but rounded top unlike our PNW varieties all of which are tapered. These are the dark green trees in the foreground of Photo P. Hugh called them Caledonian pines.

SORT OF SPOILER! Yes, another quote but this one also doesn’t reveal any plot info. The trees reminded me of Claire’s own poignant description of a Highland forest from Outlander book:

The grove was dark, but not still. The pines roared softly to themselves, millions of needles scouring in the wind. Very ancient trees, pines, and eerie in the gloom. Gymnosperms, cone-bearers, winged-seed scatterers, older and sterner by far than the soft-leaved, frail-limbed oaks and aspens.

Diana paints with words, an artist of language!

Caledonia pines(1)

Photo P

Soon, we arrived at Culloden Moor Visitor’s Center, a beautiful, sleek modern building seated on the open moor. Just looking at the building brought tears to my eyes (Anatomy Lesson #29, “The Eyes Have It” or “the Eyes – Part One.”) and a lump in my throat (Photo Q).

Culloden Moor Visitor Center(1)

Photo Q

The walkway to the Center is made of plaques engraved with names of supporters. Near the entrance is this wonderful tribute to Diana Gabaldon (photo R) from her long time fan group, The Ladies of Lallybroch. A splendid idea, ladies!

Diana plaque(1)

Photo R

The Visitor’s Center was filled with facts and artifacts but I was most impressed with a simple, bare-square room. Visitors quietly filled the room and then the lights dimmed leaving us in total darkness. We waited quietly and then slowly the walls came alive with projections of Jacobites and redcoats before, during, and after the battle. Watching the battle unfold in this manner complete with surround sound  was more than moving.  The effect was immediate and visceral; as if we were time voyagers, witnesses to the carnage! One Highlander was shot in the eye causing me to recall Rupert’s unfortunate injury (Starz, episode 212, The Hail Mary). There was really no way to photograph events in the square room. Not only was I was too overwhelmed to even think about it, events were unfolding on all four walls at once. No way to capture such an immersing experience!

This plaque from outside the Visitor’s Center shows the Jacobite line (blue flags) facing the redcoat line (red flags). Clearly, the lines are not parallel, a fact contributing to the Jacobite’s defeat (Photo S). More about this in the next post.

Culloden 02(1)

Photo S

Let’s end with all things, Diana! One of her latest activities is to lend her gravitas to preserve and protect both Culloden and Rannoch Moor (Photo T). You can read the full article about her commitment at The Press and Journal.

Diana activist(1)

Photo T

A deeply grateful,

Outlander Anatomist

Photo creds: Starz, Outlander Anatomy, Jonathan Giacalone (Photo H), www.highlifehighland.com (Photo D), www.pressandjournal.com (Photo T), www.rias.org.uk (Photo Q)

My Tartan Affair 2016!

My apologies this post took so many days to go live. Today, April 18th, is tax day in the states; otherwise, the taxman cometh, so I had to set aside my blog for the IRS!

This year, my Tartan Affair week began under the sunny blue skies of LA where I attended the Writer’s Guild Theater’s, “A Tribute to Outlander” on March 31. Many fans stood in line for hours in order to secure good seats. Gah, concrete is rough on the metatarsals!

LA event 01

The WGT panel included (from L to R – next two images): Tobias, Sam, Caitriona, Matt Roberts, Toni Graphia, Anne Kenny, Maril Davis, Ron D. Moore, and the panel moderator, Anne Thompson. Sadly, we wished Ira Steven Behr could have been there.

What followed was a riveting hour of fascinating exchanges, mostly between the writers/producers. We learned many things about them including that writers often advocate for their fav character (e.g. Matt for Geillis).

The writer’s war room boasts a variety of whiskies, presumably as calming anodynes. The group starts with one of Diana’s books broken into segments that are posted on a story board. Together they re-build a story segment that is compatible with the visual medium. Surprise! They often disagree!

LA panel 01

We learned that Dragonfly in Amber for S.2 was more challenging to adapt than Outlander for S.1. Cait expressed delighted that the series gives the actors a wonderful range of acting opportunities to enjoy. Sam commented that it is almost as if he learns a new skill for each episode, and Ron noted that because the story goes in so many different directions, there is no cliché term to describe Outlander!

We heard a very charming Tobias tale about when he was bit by the acting bug…as a young lad, he attended a theatrical production of Wind in the Willows. Intermission found him in the bathroom where Badger was standing at a urinal (loved the way Tobias pronounced this word, ur-y-nal). This was a lightbulb-moment as he realized that Badger was a human actor and this set him on his path to stardom!

We learned that a production featuring magic by Merlin was the impetus for Sam to pursue an acting career and Cait was influenced by a school play in which she donned her Father’s coat and a pillow as a costume.

This event did not include a meet and greet for the admiring fans, but we did enjoy hearing from the writers about how the whole production thing works. Last but not least, we learned that Anne thinks Jamie is a bit of a caveman! what? No way, Anne! <G>

LA panel 02

Headed back to the Pacific Northwest for one day and then off to NY Tartan Week! Let’s dissect Tartan Week, one day at a time!

Day 1 (Sunday, April 3)

Arrived in NYC. Met my roommate, and then dinner with pals at St. Andrew’s pub on W. 46th Street where I tentatively had my first haggis hookup! I felt a little Laoghaire…ooops, I mean leery, but it was surprisingly tasty! I kid you not!

Haggis 01

Photo by JoKc

Day 2 (Monday, April 4)

Evening and we headed to the LeFrak IMAX Theater at the American Museum of Natural History for the Outlander S.2 Premier! We were pummeled by a cold rain but were quickly ushered inside. Fans without tickets waited patiently in the elements but were eventually admitted. So happy for them!

Inside the theater, Starz interviewed many fans. Turns out the interviewer reads Outlander Anatomy blog, bless her heart and its ventricles…but I did not catch her name. ?

Premier interview 03

Photo by JoKc

The evening portended well because I found myself seated next to the Outlander Herbalist! Then, we were quickly greeted with the “guess whose coming to dinner” image on the big screen!

Premier 01

Entertainment followed with a beautiful rendition of The Skye Boat Song, Season 2 version, performed by Bear McCreary on accordion, wife Raya Yarbrough on vocals, a bodhran and violin (sorry, don’t know the names of the last two artists).

The Premiere began with Claire on Craigh na dun (no photography allowed). By now, you all have seen ep 201 and like me, probably found yourself weeping in tune with Claire. She sure does emote a weepy, wobbly chin worthy of her grief! The first half of the episode contains some darned intense material and I couldn’t help drawing parallels between Frank and BJR. Utter silence from the audience such that you could have heard a pin drop until Jamie appeared grasping Claire’s fingers and then the entire theater erupted in shouts of joy and wild applause! Everyone I spoke with loved the adaptation of the episode…including me!

Premier 02

Day 3 (Tuesday, April 5)

As soon as stores opened, I promptly went for a shop in the garment district – beads and ribbons required. When what to my wondering eyes should appear but Outlander bus speeding down 7th Avenue! I ran but no one batted an eye as a grey-haired gal in snappy, red boots gave chase – it is NYC after all!

Outlander bus 01

Then, three blocks later, Eureka! There it was, Outlander bus, taking a brunch break at curbside! Much more effective than a sandwich board!

Outlander bus 02

That evening we braved the cold for a few more hours outside NYU Skirball Center for the Performing Arts awaiting the Outlander “From Scotland to Paris” event presented by the Television Academy (folks that bring us the Emmys!). After all invitees were seated, the overflow fans were welcomed in and we found wonderful balcony seats.

Skirball Outlander-panel

We were blessed with an excellent panel discussion on teamwork, collaborations, production, costume design, set creation, and music development. Beautiful slides flashed on the screen as Tobias, Cait, Sam, Ron, Terry, Maril, Jon Gary Steele, (Production Design) and Bear added commentary. The lively discussion flowed so easily and naturally between the panelists that it felt as if we were watching a large, diverse and friendly family at work: Outlander family, that is. Thrilling! Here is a link to the panel discussion and well worth watching!

Photo by Television Academy

Outside the Skirball Center, Tobias, Caitriona and Sam patiently gave autographs and selfies to avid fans.  I am not very tall, so I had to stretch to get my eyeballs in this photo!

Guess who?

BJR and Me

Day 4 (Wednesday, April 6)

My first ever trip to see Lady Liberty; she had me at “hello”! Tears flowed over this one. I canna help but feel sad for her puir right arm… her deltoid muscle must be exhausted after years of holding up that weighty torch!

Lady Liberty

Afternoon found us headed to the elegant Apple Store, SoHo for this event:

Apple event 02

After waiting for several hours to be admitted to the theater (yes, it has one), we gave a rousing fan welcome to Maril, Cait, Sam and Tobias. A few narrator questions and then the audience got its chance.

I was chosen and promptly forgot my question. Hee, hee, I wonder why!

Apple event 03

Photo by Joanne

IMG_3067

Photo by Rachel

My question to the stars was: had they ever been surprised by a scene that ended up on the editing room floor (apparently, they don’t see scenes until edited), and if yes, which one surprised them the most? Two great answers. Cait wished a S.1 scene had been retained wherein Frank talked about how WW II had shaped him. Maril added that a scene with Fergus has been omitted from S.2, but didn’t elaborate. Thinking caps on: which scene do you think she had in mind? The next video captures some of that Q&A.

Video by Joanne

Turning girlie for a just a moment, everyone loved Cait’s classy black pumps with the wavy straps (and those awesome pins)! Oh là là là là!

After a few more audience questions, the quartet closed with a group-selfie! Quick autographs and more photo ops outside and then they were whisked away in a sleek SUV!

      Apple event 04

Day 5 (Thursday, April 7)

Rain again! Headed for Saks Fifth Avenue in the early afternoon for Outlander Season 2 window unveiling and costume display! Four windows featuring Terry Dresbach’s costuming genius were up for all of Tartan Week. Every costume was splendid with inventive details, superb workmanship, and stunning design!

A fine example is Claire’s Dior-inspired Bar Suit! Pssst: the following videos have black-outs near the bottom of each costume as the image is briefly lost…..this is where window signs video-bomb the images. You can also hear street noise. So sorry about this, but I’m a novice. Hand me a scalpel and I’m in my element. <G>

Details of the beautiful, curved Bar Suit sleeve! The oyster-shell color is both sophisticated and spectacular! Terry just posted a wonderful article about her inspiration and process; I highly recommend reading: Dior!

Saks Dior sleeve

Next, let’s follow a video of Claire’s yellow-gloved garden number!

The next image shows a close-up of the embroidered skirt. A few images down is a video of Terry talking about this amazing fabric!

Saks embroidery

Photo courtesy of JoKc

Next is a video of Jamie’s court duds from trapezius to toes! Verra manly indeed!

This is a closeup of Jamie’s embroidered waistcoat and buttons. Love the spectacular but subtle color scheme!

vest embroidery

But, today, the fifth and final window was unveiled to reveal THE RED DRESS!

The red-dress bodice features a flattering under-the-bosom criss-cross, a feature that is cleverly echoed in sleeve details! Add the drop-waist piping and itsy-bitsy, teenie-weenie pleats and, voila, scarlet perfection! A thin band of wispy stuff follows the neckline….very tasteful, very feminine, very alluring!

Saks Red Bodice

Mayhap Claire’s gold-colored fan will provide a modicum of modesty to that plunging neckline… a perfect 10!

Saks Red Fan

Claire’s beautiful pumps complete the incomparable ensemble. Featuring five stone encrusted buckles and four straps (skirt covers the top strap), the shoe design again echoes the below-bosom banding of this absolutely breath-taking gown. Canna wait to see Jamie’s face as he spies Claire laced up in this daring dress. OK, I saw his face in ep 202 and was so happy because it appropriately registered shock and awe!

red dress shoes

I asked the charming Mark Briggs, Executive Vice President of Saks Fifth Avenue, if partnering with future Outlander costume events lay on the horizon. He answered that it is a distinct possibility as Saks is always seeking the “finest in fashion.” I think Saks got it in spades with Terry’s designs and this flawless window display! What say you?

Saks Mark Briggs

Next, I asked Ron D. Moore if he would kindly comment on Outlander mars and scars. He offered an erudite explanation of how his team creates Jamie’s back scar prosthesis and other more complicated injuries. He also mentioned an injury from S.2 wherein Claire volunteers at L’Hôpital des Anges and is confronted with a patient who has a significant wound to treat! Yay, another Outlander Owie!

Then Cait and Sam made their way down the line looking happy, charming, and drop-dead gorgeous (both of them)! Thud!

cait sam

My last question was for Terry. I asked her how the anatomy of the human body informs her costume design, using a specific element of the Bar Suit as an example. She said anatomy most certainly does play a role; she even has a term for this relationship. I hope to explore this topic with Terry at a future date.

In case you haven’t heard, Team Terry made 10,000 garments for S.2! Yes, her team stitched them all because there isn’t a clothing rack of ready-made 18th century costumes available for purchase. They also created those fab 18th century shoes (check out the little puff balls on Claire’s shoes in the bar suit video above)! Like others, I am thinking there are many hard-earned and well-deserved awards in store for Terry!

Erin Conrad of Three If By Space asked Terry to comment on the wonderful fabric for the yellow-glove garden gown. Terry shared an entertaining story about going to the basement of her fav SanFran fabric store where she found the embroidered fabric for the gown (shown in the window). Listen to her delightful experience.

Day 6 (Friday, April 8)

More shopping in the amazing garment district. Found a store that carried only zippers; every size, shape, color, pull, teeth, material, and length one can imagine. Another specialized in ribbons, others in beads, another in leathers, another in threads. Whew, the eye candy was almost (almost) overwhelming!

Night time found me and friends hoofing it to the Beer Authority for beverages and a “street fair” which wasn’t on a street at all; it was actually held on the pub’s 3rd floor. Belhaven Brewery, famous for Scottish beers and ales, was a sponsor of this event as well as all of Tartan Week. Fans got a photo op with Davie Stewart, Sam’s driver!

Thank you Davie! He was a real sweetheart as, oh, several bazillion fans all wanted him to pose for selfies!

Davie at Beer Authority 01

The evening was still young so friends and I hiked to Grand Central Station to await the S shuttle between GCS and Times Square: four subway cars decorated outside and in with Outlander themes. Wooie, here it comes!

subway

We rode the shuttle back and forth a few times, glorying in the beautifully applied portraits and decorations. Even the doors were embellished!

subway doors

Coach seats were decorated to look like tufted lounge seats.

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Jamie’s proud and fierce portrait greeted us as we entered the first car…. Actually, it appeared in all four cars!

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Elegant and serene, Claire’s portrait also appeared in all four cars!

S shuttle Claire

Even Murtagh sends his dour regards. Hi Murty!

murtagh

Also present were portraits of Louise de Rohan, Comte St. Germain, Mary, Charles Stewart, and King Louis. The conductor took a few moments to talk with us about the shuttle and even happily posed for our excited cameras. Outlander out-landered itself with this exhibit. Sooo impressive!

S Shuttle Conductor

Day 7 (Saturday, April 9)

New York Tartan Day Parade when New York celebrates its Scottish Heritage! Folks marching with the Fraser Clan met for brunch at St. Andrews Pub on W. 46th Street. More haggis presented on a bed of fluffy potato, topped with cheese and floating in a rich, dark gravy. This time, I also enjoyed a bowl of lovely cock-a-leekie soup! Delish!

Haggis 02

Bellies full, we removed ourselves into cold wind and freezing rain, where Charlie and Lauri Fraser assembled the Fraser banner! They were our fearless, gracious welcoming hosts who generously adopted us step-kids for the day!

Parade Fraser banner

We gathered outside the Algonquin Hotel while awaiting the start of the parade. We were all totally pumped despite the challenging weather. Although we numbered only a dozen or so, we were the largest group ever to march with Charlie and Lauri (in the middle) Fraser!

charlie fraser jo

Photo by JoKc

The march was fantastic. Fans and well-wishers lined ten city blocks for the march up Avenue of the Americas. At the end, as we passed the Outlander Bus, Charlie instructed us to shout in unison: “Je suis prest!” That garnered us a wave and grin from Grand Marshall, Sam-the-Man!

Parade Sam + bus

After the parade, we stood trembling (from cold and excitement) behind the buses for another 45 minutes where we were burrrr-to-the-bone! Then, Sam made his way to a waiting SUV and we began to chant (totally hoarse) “Clan Fraser” – he turned and strode over to us! He graciously posed for photos and videos with us cray cray fans and generously doled out hugs and cheek kisses. (He really is a big lad, making a couple of us look like wee folk).

This experience recalls a quote from Outlander book:

Suddenly the inn door opened, and the sun came out, in the person of James. If I was a radiant bride, the groom was positively resplendent. My mouth fell open and stayed that way.

Haha, spot on, Claire!

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Photo NY Post

We hit the after parade party at Papillon Bistro and Bar on E. 54th Street where it was standing room only! Here thirty or so vigorous Vikings from the Shetland Islands treated us to an impromptu and hearty serenade-on-the-stairs! These lads make their own armor on islands that lie closer to the North pole than any other part of the British Isles. See the wee Viking in-the-making (center front)? He wore his own armor and marched in the rain. Hearty genes!

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From Papillion, to a quick deli sammy, and then to the DGA (Director’s Guild of America) Theater on W. 57th St. for another screening of episode 201. Much to my surprise, I was interviewed by Paul English for Scotland Now. He was very interested in how an academic subject such as human anatomy could mesh with the Outlander books and TV series (very easily, actually!). Paul is a very skilled interviewer so we enjoyed a lively discussion!

Scotland Now interview

Photo by JoKc

The DGA screening was preceded by entertainment in the form of the 78th Fraser Highlanders Pipe Band from Ontario, Canada (see video below). We were also charmed by singer, Elias Alexander with his very bawdy guitar, and spectacular Highland dancing by Kayleigh Boardman, accompanied by piper, Andrew Forbes.

Day 8 (Sunday, April 10)

Tumbled into bed at midnight and then up for a 4:15 am shuttle to JFK. I was whipped (fortunately, BJR was nowhere to be seen)!

What a Tartan Week! I cannot express how impressed I was with the Outlander staff, producers, writers and stars during this week of marvelous magic. They managed interviews, clamoring fans, and numerous commitments with kindness, grace, and style! Thank you, Starz. Thank you Outlander productions! Thanks to a very generous NYC and it’s people. Thank you, Diana Gabaldon!

Here’s a parting memory of my fabulous 2016 Tartan Affair; don’t know how, but we made it into Sunday’s New York Post!

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Photo by NY Post

A deeply grateful,

Outlander Anatomist

Note: If I have failed to give appropriate photo credits or identifications, please notify me and I will make the necessary corrections. Thanks to all!